The biggest surprise for me was that Carlo Marx was Alan Ginsberg. On the Road is an amazing book & the scroll is the same amazing book minus paragraphs, plus all the sex, drugs and real names. I reread the original (well I guess the scroll is the real original, but you know what I mean) before I read this, and they are very similar. I guess I identify with Kerouac because in his heart he's not really all that unconventional, but he loves the company of wild adventurers and can be talked into almost anything.

I feel almost personally insulted by some of the more negative reviews which is totally weird and inappropriate of me. I've been meaning to review this book for a while, but I get sort of emotional reading what other people think about Kerouac, and it has been hard to figure out what I want to say. The transcription of the scroll was done by Howard Cunnell who, along with Joshua Kupetz, George Mouratidis, and Penny Vlagopoulos, provides a critical introduction that explains the fascinating compositional and publication history of On the Road and anchors the text in its historical, political, and social context. It also uses the real names of Kerouac’s friends instead of the fictional names he later invented for them. The scroll is slightly longer and has a heightened linguistic virtuosity and a more sexually frenetic tone. The differences between the two versions are principally ones of significant detail and altered emphasis. On the occasion of the fiftieth anniversary of On the Road, Viking will publish the 1951 scroll in a standard book format.

It was not until more than six years later, and several new drafts, that Viking published, in 1957, the novel known to us today. It was also part of a wider vital experimentation in the American literary, musical, and visual arts in the post-World War II period. It represents the first full expression of Kerouac’s revolutionary aesthetic, the identifiable point at which his thematic vision and narrative voice came together in a sustained burst of creative energy.

Typed out as one long, single-spaced paragraph on eight long sheets of tracing paper that he later taped together to form a 120 foot scroll, this document is among the most significant, celebrated, and provocative artifacts in contemporary American literary history. Though Jack Kerouac began thinking about the novel that was to become On the Road as early as 1947, it was not until three weeks in April 1951, in an apartment on West Twentieth Street in Manhattan, that he wrote the first full draft that was satisfactory to him. The legendary 1951 scroll draft of On the Road, published word for word as Kerouac originally composed it

On the road scroll